Depeche Mode 02 London – Delta Machine World Tour
My first and probably only music gig of the year this week, the almighty Depeche Mode at my local Greenwich squatting venue. The Basildon bred boys are on the road to promote their latest album Delta Machine, the closest they’ve come to my mind in equalling their two most prosperous albums Violator and Songs Of Faith & Devotion a mere twenty years and change ago, to be charitable their output has been somewhat erratic ever since musical bulwark Alan Wilder fled the scene after the obliterating Devotional tour which left one of them in a loony bin, and the other two of them in rehab – you can take the boys out of Essex etc. So as I’m sure I’ve previously mentioned I’ve seen them on tour every time since 1990 (apart from the greatest hits tour which doesn’t count – I was on holiday OK?) and this was one of their strongest performances in line with one of their strongest albums of the past two decades, so here’s a few selected highlights of the night;
One of my favourite post 1990 tracks there, and the first time they’ve played in live in quite a while. Similarly for the first time in a very long time I actually quite enjoyed the new album tracks, the openjng chords of ‘new stuff’ usually signal a run for the bar to replenish dwindling alcohol stocks, but they worked this time around and actually filled the space, with this little bruiser being quite effective in getting the crowd going after the mid-set ‘slow’ track Martin Gore section – although he did serenade us with a terrific stripped down version of Higher Love.
I’m guessing most people don’t pick up on these things and pay attention to parochial things such as the music and performance (I’m joking) but as always the visual design of the tour is fantastic, something that the band is renowned for pioneering with their groundbreaking early world tours, with a through line in triangular graphic design which runs through the lighting patterns, screen projections, set design and marketing compositions of sleeve design, posters, t-shirts and other merchandise – although what really got the crowd roaring was of course the music, specifically some of the older stuff;
I do like the O2 as a venue, all too often with stadium gigs the tension of the music can get lost in the cavernous space (Earls Court anyone?), Dave Gahan’s tumultous vocals were clear and powerful, and they were smart enough close the main set with arguably their two best known singles Personal Jesus and Enjoy The Silence, possibly the best version of the latter I’ve ever seen them perform;
OK, I’m starting some (forgive me) ‘Blasphemnous rumors’ here as they actually finished the main set with this which is a new one and it was alright, I’d have preferred something a little more upbeat but here we are. Overall the set list was solid, although I’d have preferred some substitutions you can’t have everything, and even the presence of one of their very early bubble gum pop didn’t quite elicit the groans it normally does – although I do wish they’d look into reviving more of their 1984 – 1986 material for future shows. Good interview here, gig review here, but let’s finish predictably with one of the all time greatest audience participation tracks – yup you guessed it they finished on the obvious;