Thirty years ago this month, UK boozy cult classic Withnail & I was released to an unsuspecting audience. Here is a excellent revisit to some of the movies classic scenes and moments, which you can revisit through the magic of cinema here;
Just a little something to keep you reprobates entertained and educated while I assemble my Get Out review. It was good.
Well. wow. Reverberations are thundering around the cinephile world with this extraordinary news, especially given the connections between old and new media and all that such umbilical links could signal for the future. Here is some exhaustive context, and here is a glimpse of what’s in store;
Ever wondered what one of those strange sounding Foley artists are in a movie’s credits? What, how does an award winning short sound?
Beyond happy that they have produced a documentary of this fantastic book which I read a couple of years ago. It’s an apt reminder of what cinema can do in difficult times, and the influence the experience had upon the five when they returned to the industry is fascinating as a historical and artistic document – their work and the world they operated in was never the same;
Given the coverage a certain speech is getting today, this seems like an apt moment to post this;
Some enterprisng soul has uploaded this from the recent Blu-Ray box set which has now dramatically dropped in price, 80 minutes and change of Stanley related reminiscence;
OK you fucking mooks, OK, I feel bad about this, I’m feeling especially guilty and useless at not posting anything concerning my Scorsese blitzkrieg over the past few weeks. Truth be told I have six or seven full reviews in the pipeline, but wider considerations have fumbled my intent, and it has proved difficult to find the effort or inspiration to continue this increasingly monumental effort – real life can sometime intrude. Nevertheless I’ve only got one more full movie to see in the season which on a whole has been a revelatory season, there is just one more of the classics to finally see on the big screen, so I keep telling myself to wait until that is absorbed until I get chained to the keyboard. Until then here is some more adjunct material which is fascinating, one of the core figures in recent Amercian cinema whom would not exist, as we known it, without Marty;
I’ve been hearing some great things about this, a perfectly observed cult movie pastiche which manages to balance that fine line of homage and genuine affection laced humour;
It stormed Frightfest last week and is coming to a very modest release and VOD over the next couple of weeks. In other news yes, plenty of Scorsese material is imminent, I jus need to find the time to finalise each of the reviews which I’ve outlined and researched. In fact I’m off to another screening tonight so next week is going to be….hectic;
Here’s something big, dense and delightful to get your cinematic teeth into, a 75 minute deconstruction of Tarkovsky’s cold war masterpiece Stalker. As you’d imagine it is the quite the academic affair, with the likes of writers Geoff Dyer, Phillip Lopate, Michael Benson and Francine Prose in cerebral attention, alongside a little someone known as Walter Murch;