Here’s a illuminating little piece on some of the presumed influences on Lynch, including potential spoilers for Twin Peaks for Season 3;
Predator is 30, and that makes me feel old. I distinctly remember seeing the trailer for this on Film ’87 here in the UK, back in those distant days when the only way you could even see a trailer was a glimpse on TV, or as a preview in t he theatre. Heh, I also remember being in school the next day, and trying to convince my friends that yes the creature was a chameleon type thing, as they scoffed at my improbable assertions. Well who’s laughing now muthafuckers?;
That article above is full of amusing anecdotes and asides, the fact that they shot the picture without much of an idea of what the creature would look like until they enrolled the skills of the great Stan Winston is classic, and the multiple Van Damme stories are priceless….
A little delayed but I’ve been reading up on some of the winners and curios from this years Cannes, and alongside the new Lynne Ramsay, Sofia Coppola, Haneke and Yorgos Lanthimos queasy sounding The Killing Of A Sacred Deer this seems to be another ‘must- see’, apparently proving that Pattinson can actually act;
Jolly excited about this for obvious reasons, it hits US Netflix tomorrow and hopefully will arrive in Europe shortly after;
EDIT – Darkly amused, and acutely disturbed that Oliver Stone got Putin to watch Dr. Strangelove for the first time accordingly to his problematic and revealing series of interviews that is currently airing. In an ideal world it should be requisite viewing for every head of state of course;
Thirty years ago this month, UK boozy cult classic Withnail & I was released to an unsuspecting audience. Here is a excellent revisit to some of the movies classic scenes and moments, which you can revisit through the magic of cinema here;
Just a little something to keep you reprobates entertained and educated while I assemble my Get Out review. It was good.
Well. wow. Reverberations are thundering around the cinephile world with this extraordinary news, especially given the connections between old and new media and all that such umbilical links could signal for the future. Here is some exhaustive context, and here is a glimpse of what’s in store;
Ever wondered what one of those strange sounding Foley artists are in a movie’s credits? What, how does an award winning short sound?
Beyond happy that they have produced a documentary of this fantastic book which I read a couple of years ago. It’s an apt reminder of what cinema can do in difficult times, and the influence the experience had upon the five when they returned to the industry is fascinating as a historical and artistic document – their work and the world they operated in was never the same;
Given the coverage a certain speech is getting today, this seems like an apt moment to post this;